Spot on: Theatre and AI
|
Time |
Event |
Price & Ticket link |
Language |
Location |
|
17.00 - 18.15 |
Public Lecture on Performance Art in Computer Culture |
Free entrance |
ENG |
Grand Theatre - Bovenzaal |
|
19.00 - 19.50 |
Theatre and AI:
|
Free entrance + Free drink (Reserve your seat here) |
ENG |
Grand Theatre - Bovenzaal |
|
20.00 |
DARK - A performance about the tension between presence and absence, real and fake, human and technology |
ENG |
Grand Theatre |
Public Lecture on performance art in our current computer culture by Claire Swyzen
- 17.00 - 18.15 in Grand Theatre, Bovenzaal
- Free entrance
- Language: English
The lecture by Dr Claire Swyzen (researcher at the Free University Brussels and the Centre of Literature, Intermediality, and Culture/CLIC), "Interface, Database, Protocol: Text as Data in Postdramatic Mediaturgies”, reinterprets the shift from dramatic theatre to "postdramatic theatre" (Lehmann) in terms of "computer culture" (Manovich), yet with a focus on any form of language that we can witness onstage, whether textual or oral, human- or machine generated. How can we describe the text's changed appearance, mode of production, and function in the context of digital culture? Claire Swyzen therefore introduces three computer concepts —interface, database, and protocol— as additional tools for performance analysis and applies them to a wide range of work, from lo-fi to algorithmic theatre and statistics-based or social media performances by artists like Nature Theater of Oklahoma, Tim Etchells, Annie Dorsen, Edit Kaldor, or Rimini Protokoll. Each of the three concepts highlights a major tendency in postdramatic theatre: a shift in the text's presentation/mediation (from face to interface), a shift in authorial agency (from author to data processor), and a shift in the rules according to which the text is generated (from plot to protocol).
A Conversation about Theatre and AI: Pre-Show Talk with DARK artist and expert guests
- 19.00 - 19.50 in Grand Theatre, Bovenzaal
- Free entrance + Free drink - Registration needed (Reserve your seat here)
- Language: English
In connection to A TWO DOGS COMPANY's performance DARK at the Grand Theatre Groningen we have invited artist Kris Verdonck, dramaturg Kristof van Baarle, and researchers Nataliia Laba and Claire Swyzen to explore the tensions between presence and absence, real and fake, the human and technology, particularly in times of AI.
Claire Swyzen (affiliated researcher of the Vrije Universiteit Brussel and its Centre for Literature, Intermediality, and Culture) introduces the influence of terms such as “interface”, “database” and “protocol” on developments in performance art in our current computer culture.
Nataliia Laba (assistant professor in digital culture and multimodal communication/human AI at Faculty of Arts, University of Groningen) delves deeper into recent research on the impact of visual-generative AI on artists and designers through their artistic practices as well as the public perceptions of our responsibility in the training and uses of AI.
Moderated by Pieter Verstraete (theatre critic and assistant professor in Art, Culture and Media at the Faculty of Arts, University of Groningen). This event will be audio recorded for a podcast.
This discussion will connect the threads between art, performance, AI, and computer culture.
SPOT ON! is a lecture series that engages with socially and politically relevant theatre and performance. It aims to generate public dialogue and question the impact of theatre in society. This panel is hosted in collaboration with the Theatre section of the ICOG Research Centre for Arts in Society of the University of Groningen.

DARK - A performance about the tension between presence and absence, real and fake, human and technology
- 20.00 in Grand Theatre, Benedenzaal
- Tickets: Regular: €21, students and <29 years: €15
- Language: English
What bodies and life forms are “behind” our screens? And what impact do those screens and digital entities have on our bodies, on our senses, on our sense of reality? Like the human performers, the objects in this performance have an ambiguous status. Are they controlled by the performers or vice versa, or do they move autonomously? Everything seems interconnected and the spectator too will have to take a stand in this haunting world where the concept of reality is called into question.
