prof. dr. A.M.A. (Annie) van den Oever

Arts Culture and Media / Film

prof. dr. A.M.A. (Annie) van den Oever
E-mail:
a.m.a.van.den.oever rug.nl

Research

  1. 2019
  2. van den Oever, A. (2019). Reading Viktor Shklovsky's "Art as Technique" in the Context of Early Cinema. In S. N. Gratchev, & H. Mancing (Eds.), Viktor Shklovsky’s Heritage in Literature, Arts, and Philosophy Lanham, Maryland: Rowman and Littlefield.
  3. van den Oever, A., & Fickers, A. (2019). Doing Experimental Media Archaeology: Epistemological and Methodological Reflections on Experiments with Historical Objects of Media Technologies. In B. Roberts , & M. Goodall (Eds.), New Media Archaeologies (pp. 45-68). (Recursions: Theories of Media, Materiality, and Cultural Techniques). Amsterdam: Amsterdam University Press.
  4. van den Oever, A., & Fickers, A. (2019). (De)Habituation Histories: How to Re-Sensitize Media Historians. . In J. Ellis, & N. Hall (Eds.), Hands-On Media History: A New Methodology in the Humanities and Social Sciences Routledge.
  5. 2018
  6. van den Oever, A., Fickers, A., Fidotta, G., (TRANS.), & Mariani, A., (TRANS.) (2018). Per un’archeologia dei media sperimentale. Note epistemologiche e metodologiche sugli esperimenti con le tecnologie mediali del passato. In G. Fidotta, & A. Mariani (Eds.), Archeologia dei media: Temporalità, materia, tecnologia. (pp. 199-229). (Plexus ; No. 1). Milan: Meltemi Press.
  7. van den Oever, A., & de Kuyper , E. (2018). Rewriting Proust: Working with Chantal Akerman on “La Captive”- A Dialogue. In A. van den Oever, & I. Christie (Eds.), Stories: Screen Narrative in the Digital Era (1 ed., pp. 175-180). (The Key Debates: Mutations and Appropriations in European Film Studies; Vol. 7). Amsterdam University Press.
  8. van den Oever, A., & Christie, I. (2018). Screen Narrative in the Digital Era. In A. van den Oever, & I. Christie (Eds.), Stories: Screen Narrative in the Digital Era (1 ed., pp. 11-24). (The Key Debates: Mutations and Appropriations in European Film Studies; Vol. 7). Amsterdam: Amsterdam University Press.
  9. van den Oever, A., & Christie, I. (Eds.) (2018). Stories: Screen Narrative in the Digital Era . (1 ed.) (The Key Debates ; Vol. 7 ). Amsterdam: Amsterdam University Press.
  10. van den Oever, A., & Ellis, J. (2018). Storytelling and Mainstream Television Today - A Dialogue. In A. van den Oever, & I. Christie (Eds.), Stories: Screen Narrative in the Digital Era (1 ed., pp. 155-165). (The Key Debates: Mutations and Appropriations in European Film Studies; Vol. 7). Amsterdam: Amsterdam University Press.
  11. 2017
  12. van den Oever, A. (2017). Touching Experiments: Rediscovering the Sensorial and Tactile Dimensions of Film's History. In M. Merlo (Ed.), Mimesis: Studies in Honor of Leonardo Quaresima (pp. 515-519). Milan: Mimesis Edizione.
  13. 2016
  14. van den Oever, A., Willemsen, S., Kessler, F., Pisters, P., & Meers, P. (Eds.) (2016). Klassieke en moderne filmtheorie. (1 ed.) (Sleutelteksten Film- en Mediatheorie: Klassieke en moderne filmtheorie; Vol. 2). Nijmegen: In de Walvis.
  15. van den Oever, A., & Fossati, G. (Eds.) (2016). Exposing The Film Apparatus: the Film Archive as a Research Laboratory. (Framing Film). Amsterdam: Amsterdam University Press.
  16. van den Oever, A., & Fossati, G. (2016). Exposing The Film Apparatus: Introduction. In G. Fossati, & A. van den Oever (Eds.), Exposing the Film Apparatus: The Film Archive as a Research Laboratory (pp. 13-42). (Framing Film). Amsterdam: Amsterdam University Press.
  17. van den Oever, A., & Beugnet, M. (2016). Gulliver Goes To The Cinema: Screen Size, Scale, and Experiential Impact. In D. Chateau, & J. Moure (Eds.), Screens: From Materiality to Spectatorship – A Historical and Theoretical Reassessment (Vol. 6, pp. 247-257). Amsterdam: Amsterdam University Press.
  18. van den Oever, A., & Bruinsma, E. (2016). Writer-Journalists and the Sudden Turn in Appreciation in the Sixties: The Case of Louis Paul Boon. In F. Harbers, I. van den Broek, & M. Broersma (Eds.), Witnessing the Sixties: A Decade of Change in Journalism and Literature (51 ed., Vol. LI, pp. 151-168). (Groningen Studies in Cultural Change). Groningen: Peeters.
  19. 2015
  20. van den Oever, A., Willemsen, S., Kessler, F., & Pisters, P. (Eds.) (2015). Sleutelteksten in Film- en Mediatheorie: De beginjaren van de film en de tijd van de avant-garde, 1896-1931: Deel 1. (Sleutelteksten in Film- en Mediatheorie; Vol. 1). Nijmegen: In de Walvis.
  21. van den Oever, A. (2015). Experimental Media Archaeology in the Media Archaeology Lab: Re-Sensitizing the Observer. In A. Bertrame, G. Fidotta, & A. Mariani (Eds.), At the Borders of (Film) History: Temporality, Archaeology, Theories. (pp. 43-53). Udine: Forum.
  22. 2014
  23. van den Oever, A. M. A. (2014). Foundational Questions for a Film and Visual Media Programme. Vrijstaat: University of the Free State / Universiteit van die Vrijstaat.
  24. Fickers, A., & van den Oever, A. (2014). Experimental Media Archaeology: A Plea for New Directions. In A. van den Oever (Ed.), Technē/Technology: Researching Cinema and Media Technologies - Their Development, Use, and Impact (pp. 272-278). (The Key Debates: Mutations and Appropriations in European Film Studies ; Vol. 4). Amsterdam: Amsterdam University Press.
  25. van den Oever, A. (2014). Introduction: Researching Cinema and Media Technologies. In A. van den Oever (Ed.), Technē/Technology: Researching Cinema and Media Technologies - Their Development, Use, and Impact (pp. 15-26). (The Key Debates: Mutations and Appropriations in European Film Studies ; Vol. 4). Amsterdam: Amsterdam University Press.
  26. Winthrop-Young, G., & van den Oever, A. (2014). Rethinking the Materiality of Technical Media: Friedrich Kittler, "Enfant Terrible" with a Rejuvenating Effect on Parental Discipline – A Dialogue. In A. van den Oever (Ed.), Technē/Technology: Researching Cinema and Media Technologies - Their Development, Use, and Impact (pp. 219-239). (The Key Debates: Mutations and Appropriations in European Film Studies ; Vol. 4). Amsterdam: Amsterdam University Press.
  27. Lefebvre, M., & van den Oever, A. (2014). Revisiting Christian Metz’s “Apparatus Theory” – A Dialogue. In A. van den Oever (Ed.), Technē/Technology: Researching Cinema and Media Technologies - Their Development, Use, and Impact (pp. 240-257). (The Key Debates: Mutations and Appropriations in European Film Studies ; Vol. 4). Amsterdam: Amsterdam University Press.
  28. van den Oever, A. (Ed.) (2014). Technē/Technology: Researching Cinema and Media Technologies - Their Development, Use, and Impact. (1 ed.) (The Key Debates; Vol. 4). Amsterdam: Amsterdam University Press.
  29. 2013
  30. 2012
  31. van den Oever, A. M. A. (2012). Art and Technique: Technology, the Avant-Gardes and the Birth of the Cinema. In C. Colatrella (Ed.), Critical Insights: Technology & Humanity (pp. 115 - 129). Ipswich, MA: Salem Press/EBSCO.
  32. van den Oever, A. M. A. (2012). From Technique to Medium. The Apparatuses in the Archive as a Source for a New Film and Media History. In S. Campanini, A. Bordina, & A. Mariani (Eds.), L'archivio / The Archive. Atti del XVIII Convegno internazionale di studi sul cinema, Udine, 5-7 aprile 2011 (pp. 131 - 140). Udine: Forum.
  33. van den Oever, A. M. A. (2012). The Aesthetics and Viewing Regimes of Cinema and Television, and Their Dialectics. In I. Christie (Ed.), Audiences. Defining and Researching Screen Entertainment Reception (pp. 113-127; 257-261). (The Key Debates - Mutations and Appropriations in European Film Studies; No. Vol. III). Amsterdam: Amsterdam University Press.
  34. 2011
  35. van den Oever, A. M. A. (2011). Sensitizing the Viewer: The Impact of New Techniques and the Art Experience. Groningen en Amsterdam: University of Groningen, Amsterdam University Press and Stedelijk Museum Amsterdam.
  36. 2010
  37. van den Oever, A. M. A. (2010). A Poet's Poet: F. (ten) Harmsen van (der) Beek (1927-2009). In T. Vaessens, & J. Bel (Eds.), Women's Writing from the Low Countries 1880-2010. An Anthology (pp. 125 - 129). Amsterdam: Amsterdam University Press.
  38. van den Oever, A. M. A. (2010). Conversation with Laura Mulvey. In A. van den Oever (Ed.), Ostrannenie. On "Strangeness" and the Moving Image: The History, Reception, and Relevance of a Concept (pp. 185 - 203). (The Key Debates, Mutations and Appropriations in European Film Studies; No. 1). Amsterdam: Amsterdam University Press.
  39. van den Oever, A. M. A., & Bruinsma, E. (2010). De jodenvervolging als ongelofelijk verhaal: Marga Minco, 1920. In T. Vaessens, & J. Bel (Eds.), Schrijvende vrouwen. Een kleine literatuurgeschiedenis van de Lage Landen, 1880-2010 (pp. 153 - 156). Amsterdam: Amsterdam University Press.
  40. van den Oever, A. M. A. (2010). Een poet's poet: F. (ten) Harmsen van (der) Beek, 1927-2009. In T. Vaessens, & J. Bel (Eds.), Schrijvende vrouwen. Een kleine literatuurgeschiedenis van de Lage Landen, 1880-2010 (pp. 167 - 171). Amsterdam: Amsterdam University Press.
  41. van den Oever, A. M. A. (2010). Grimassen in de nachtspiegel of de 'rabaissement' als techniek tegen de klassieke geschiedschrijving. Over mythologisering en ontmythologisering in de historische romans van L.P. Boon. In Bindels, & Van Melick (Eds.), Frictie of non-frictie. Uitgegeven ter gelegenheid van de Dag van het Geschiedverhaal 29 mei 2010 te Heerlen (pp. 61 - 81). Roermond: Huis voor de Kunsten Limburg.
  42. van den Oever, A. M. A. (2010). Introduction: Ostran(n)enie as an "Attractive" Concept. In A. van den Oever (Ed.), Ostrannenie. On "Strangeness" and the Moving Image: The History, Reception, and Relevance of a Concept (pp. 11 - 18). (The Key Debates, Mutations and Appropriations in European Film Studies; No. 1). Amsterdam: Amsterdam University Press.
  43. van den Oever, A. (2010). Monstration and the Monstrous: The Grotesque in the Very Beginning and at the Very End. In F. Casetti, J. Gaines, & V. Re (Eds.), Proceedings of the XVI International Film Studies Conference-Permanent Seminar on History of Film Theories: In the Very Beginning, at the Very End. Film Theories in Perspective (pp. 229-242). Udine : Forum.
  44. van den Oever, A. M. A. (2010). 'Ostranenie', "The Montage of Attractions" and Early Cinema's "Properly Irreducible 'Alien' Quality". In A. van den Oever (Ed.), Ostrannenie. On "Strangeness" and the Moving Image: The History, Reception, and Relevance of a Concept (pp. 33 - 58). (The Key Debates, Mutations and Appropriations in European Film Studies; No. 1). Amsterdam: Amsterdam University Press.
  45. van den Oever, A. M. A., & Bruinsma, E. (2010). The Persecution of the Jews as an Incredible Story: Marga Minco (1920). In T. Vaessens, & J. Bel (Eds.), Women's Writing from the Low Countries 1880-2010. An Anthology (pp. 110 - 114). Amsterdam: Amsterdam University Press.
  46. 2009
  47. van den Oever, A. M. A. (2009). Het subjectieve verhaal vervangt het grote verhaal. In J. Goedegebuure (Ed.), Een klievende roman. Zes essays over Opwaaiende zomerjurken (pp. 53 - 73). Amsterdam: Uitgeverij Augustus.
  48. 2008
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