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Related Publications
  1. How Italian is the Arnolfini double portrait?

    Ridderbos, H. N. B., 2002, Aux Quatre Vents, A Festschrift for Bert W. Meijer. Boschloo, A. W. A., Grasman, E. & van der Sman, G. J. (eds.). Florence: Centro Di, p. 167 - 174 8 p.

    Research output: Chapter in Book/Report/Conference proceedingChapterAcademic

  2. Due progetti architettonici del Trecento: le torri di Gand e Siena

    van der Ploeg, C. P. J., 2002, Aux Quatre Vents, A Festschrift for Bert W. Meijer. Boschloo, A. W. A., Grasman, E. & van der Sman, G. J. (eds.). Florence: Centro Di, p. 161 - 165 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapterProfessional

  3. Florence's sovereignty and imperium depicted: the Sala di Gualdrada in the Palazzo Vecchio

    van Veen, H. T., 2002, Aux Quatre Vents, A Festschrift for Bert W. Meijer. Boschloo, A. W. A., Grasman, E. & van der Sman, G. J. (eds.). Florence: Centro Di, p. 231 - 235 5 p.

    Research output: Chapter in Book/Report/Conference proceedingChapterProfessional

  4. Northern artists and Italian art during the late Middle Ages: Jean Pucelle and the Limbourg brothers reconsidered

    Schmidt, V. M., 1999, Italy and the Low Countries - artistic relations. The fifteenth century.. Schmidt, V. M. (ed.). Florence: Centro Di, p. 21 - 38 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapterAcademic

  5. Painted Piety: Panel Paintings for Personal Devotion in Tuscany, 1250-1400

    Schmidt, V. M., 2005, Florence: Centro Di. 350 p.

    Research output: Book/ReportBookAcademic

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