Research Centre Arts in Society

University of Groningen > Faculty of Arts > Groningen Research Institute f.t Study of Culture > Research Centre Arts in Society

  1. 2019
  2. Nicolay, J., Langen, de, G., Stöver, J., Aalbersberg, G., Bahlen, G., Bakker, M., Huisman, H., Mantel, S., Nieuwhof, A., Ngan-Tillard, D., Prummel, W., de Rijk, P., Schepers, M., Varwijk, T., & Vos, P. C. (2019). De terp van Hogebeintum in boorkernen. In A. Nieuwhof, E. Knol, & J. Nicolay (Eds.), De hoogste terp van Friesland: Nieuw en oud onderzoek in Hogebeintum (Vol. 101, pp. 33-130). (Jaarverslagen van de Vereniging voor Terpenonderzoek; Vol. 101). Vereniging voor Terpenonderzoek.
  3. Robbe, K. (2019). An Unfinished Homecoming: Postmemory, Place, and Practices of Politicization in the Plays of Nadia Davids and Amy Jephta. In M. Maufort, & J. Maufort (Eds.), Forays into Contemporary South African Theatre (pp. 271-290). Brill.
  4. Broomans, P. (Accepted/In press). The Meta-literary History of Cultural Transmitters and Forgotten Scholars in the midst of Transnational Literary History. In S. B. Jørgensen, H-J. Lüsebrink, & U. Heidmann (Eds.), Cultural Transfer Reconsidered Brill/Rodopi.
  5. Fuller, J. (2019). Linguistic Landscapes and the Making of an Imagined Community. In T. Heyd, F. Mengden, & B. Schneider (Eds.), The Sociolinguistic Economy of Berlin: Cosmopolitan Perspectives on Language, Diversity and Social Space (pp. 279-299). De Gruyter Mouton.
  6. Gooskens, C. (2019). Receptive multilingualism. In S. montanari, & S. Quay (Eds.), Multidisciplinary Perspectives on Multilingualism: The fundamentals (pp. 149-174). (Language Contact and Bilingualism). De Gruyter Mouton.
  7. Keizer, J. (2019). Rembrandt's Nature: The Ethics of Teaching Style in the Dutch Republic. In E. Jorink, A-S. Lehmann, & B. Ramakers (Eds.), Lessons in Art. Art, Education, and Modes of Instruction since 1500 (Netherlands Yearbook for History of Art; Vol. 68). Brill.
  8. Ozek, F., Salam, & Gooskens, C. (2019). The mutual intelligibility of a Kurdish and a Zazaki dialect spoken in the province of Elazığ, Turkey. Paper presented at Experimental Approaches to Production and Perception of Language Variation, Munster, Germany.
  9. Nikolsky, R. (2019). אהב (to love) in the Bible: a Cognitive Evolutionary Approach. In R. Nikolsky, I. Czachesz, F. S. Tappenden, & T. Biró (Eds.), Language, Cognition, and Biblical Exegesis: Interpreting Minds (1st ed., pp. 70-87). (Language, Cognition, and Biblical Exegesis). Bloomsbury Academic.
  10. Delbeke, M., & Nagelsmit, E. (2019). The Low Countries, 1400-1830. In M. Fraser (Ed.), Sir Banister Fletcher’s Global History of Architecture (21 ed., pp. 211-232). Bloomsbury.
  11. Jongeneel, E. (2019). Les illustrations des Contes du temps passé de Perrault (édition Curmer, 1843). In J. Augustyn, J-P. Dubost, & S. J. Sasson (Eds.), Penser et (d')écrire l'illustration.: Le rapport à l'image dans la littérature des XVIIIe et XIXe siècles (Vol. 24, pp. 173-196). (Révolutions et Romantismes). PUBP.
  12. Broomans, P., & Klok, J. (2019). Thinking about Travelling Ideas on the Waves of Cultural Transfer. In Travelling Ideas in the Long Nineteenth Century. : On the Waves of Cultural Transfer (Vol. 8, pp. 9-28). (Studies on Cultural Transfer & Transmission Series; Vol. 8). Barkhuis Publishing.
  13. Hanich, J. (2019). “Every Theory Needs a Reference to Lived Experience”: An Interview with Jean-Pierre Meunier. In The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (pp. 14-30). Amsterdam University Press.
  14. Hanich, J., & Fairfax, D. (2019). Introduction (to The Structures of the Film Experience by Jean-Pierre Meunier). In J. Hanich, & D. Fairfax (Eds.), The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (pp. 9-13). (Film Theory in Media History). Amsterdam University Press.
  15. Hanich, J. (2019). So Long, My Son. Filmbulletin, 381(6), 29-31.
  16. Hanich, J. (2019). When Viewers Drift Off: A Brief Phenomenology of Cinematic Daydreaming . In J. Hanich, & D. Fairfax (Eds.), The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (pp. 336-352). Amsterdam University Press.
  17. Blanco Sío-López, C. (2019). The Future that Once Was: 1989, the EU’s Eastward Enlargement, and Democracy’s Missed Chances. In E. Braat, & P. Corduwener (Eds.), 1989 and the West: Western Europe since the End of the Cold War, 1st Edition (1 ed.). (Routledge Studies in Modern European History). Routledge, Taylor and Francis group.
  18. Fuller, J. (2019). Anthropology. In J. Darquennes, J. Salmons, & W. Vandenbussche (Eds.), Language Contact (Vol. 1, pp. 679-691). (Handbücher zur Sprach-und Kommunikationswissenschaft ). De Gruyter Mouton.
  19. van den Oever, A. (2019). Reading Viktor Shklovsky's "Art as Technique" in the Context of Early Cinema. In S. N. Gratchev, & H. Mancing (Eds.), Viktor Shklovsky’s Heritage in Literature, Arts, and Philosophy Rowman and Littlefield.
  20. Emmons, P., Kulawik, B., Ranogajec, P., Ronnes, H., & Leach, A. (2019). Reviews Spring 2019. Architectural histories, 7(1), [13].
  21. De Gendt, A-M. (Ed.) (2019). Inleiding. In T. Janssen (Ed.), Josse Bade / Jodocus Badius Ascensius [1462-1535]: Dwaze schepen / Stultiferae naues (pp. IX-XXV). Stichting Neerlandistiek VU, Amsterdam & Nodus Publikationen Münster.
  22. Leigh, J. (2019). Re/placing Kosovo: narratives of identification and the nation-building process in the post-conflict context. 22-22. Abstract from PGR Sociology Conference, Manchester, United Kingdom.
  23. Broomans, P. (2019). Op een gegeven moment. In E. van der Knaap, & C. Koster (Eds.), Teksten in beweging: Over vertaling, vertalers en literatuur (pp. 187-190). [36] Uitgeverij Vantilt.
Previous 1 2 3 4 5 6 7 8 ...39 Next

ID: 14837801