Research Centre Arts in Society

University of Groningen > Faculty of Arts > Groningen Research Institute f.t Study of Culture > Research Centre Arts in Society

  1. 2016
  2. Flood, J. (2016). Renaissance Conventions. In D. Greene, K. MacKeogh, & F. West (Eds.), Literature 4: The Renaissance Dublin City University.
  3. Flood, J. (2016). The Legacy of Nineteenth-Century Literature. In K. MacKeogh, & P. Salisbury (Eds.), Literature 5: Literatures of the Nineteenth Century - Romanticism to Victorianism Dublin City University.
  4. Flood, J. (2016). The Study of Literature. In A. Prendergast, K. MacKeogh, & N. O'Mahony (Eds.), Literature 1: Literature Foundation Module Dublin City University.
  5. van Es, E. (2016). Cultuur in de Spiegel, een theoretische basis voor cultuuronderwijs. In L. van den Bulk (Ed.), Een kleurrijke basis: Ontwikkelingen en trends in het cultuuronderwijs (pp. 52-54). Landelijk Kenniscentrum Cultuureducatie en Amateurkunst.
  6. Kuiper, Y. (2016). Kasteel De Haar: Een boutade van een castellofoob. In Meander Almanak 2016 (pp. 48-51). Studievereniging Meander.
  7. Gibson, C. (2016). Becoming Anon: Hamish Henderson, Community, and the 'Folk Process'. In S. Lyall (Ed.), Community in Modern Scottish Literature (pp. 103-123). (SCROLL: Scottish Cultural Review of Language and Literature; Vol. 25). Brill/Rodopi.
  8. Bollmann, A. (2016). Memoria für die Zukunft: Zur Gestaltung von Erinnerung in den Schwesternbüchern der Devotio moderna. In J. Deploige, & R. Nip (Eds.), Manuscript and memory in religious communities in the medieval Low Countries (2015 ed., pp. 155-185). (The Medieval Low Countries; Vol. special issue, No. 2). Brepols Publishers.
  9. Broomans, P. (2016). 'A Haven of Love? Artur Lundkvist and Stina Aronson in Paris, 1930'. In S. Van den Bossche, & M. Wijers (Eds.), Nooit het Noorden kwijt: Liber amicorum ter ere van Godelieve Laureys (pp. 23 - 30). [2] Universiteit van Gent.
  10. van den Oever, A., & Fossati, G. (2016). Exposing The Film Apparatus: Introduction. In G. Fossati, & A. van den Oever (Eds.), Exposing the Film Apparatus: The Film Archive as a Research Laboratory (pp. 13-42). (Framing Film). Amsterdam University Press.
  11. Slootweg, T. (2016). Imagining the User of Portapak: Countercultural Agency for Everyone! In G. Fossati, & A. van den Oever (Eds.), Exposing the Film Apparatus: The Film Archive as Research Laboratory (pp. 177-186). (Framing Film). Amsterdam University Press/EYE.
  12. Willemsen, S. (2016). The Widescreen Anamorphic Lens. In G. Fossati, & A. van den Oever (Eds.), Exposing the Film Apparatus: The Film Archive as a Research Laboratory (pp. 109-117). (Framing Film). Amsterdam University Press/EYE.
  13. van Noortwijk, A. (2016). The Orbit and Single Shot Cinema. In A. van den Oever, & G. Fossati (Eds.), Exposing the Film Apparatus: The Film Archive as a Research Laboratory (pp. 130-139). (Framing Film). Amsterdam University Press.
  14. Hanich, J. (2016). The Invisible Cinema. In G. Fossati, & A. van den Oever (Eds.), Exposing the Film Apparatus: The Film Archive as Research Laboratory (pp. 344-353). Amsterdam University Press.
  15. Brouwer, S. (2016). From Empire to Smuta and back: The Mythopoetics of Cyclical History in Russian Film and TV-Documentaries. In Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film : Screen as Battlefield. (Vol. 60, pp. 123-141). (Studies in Slavic Literature and Poetics; Vol. 60). Brill/Rodopi.
  16. Brouwer, S. (2016). Introduction. In S. Brouwer (Ed.), Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film: Screen as Battlefield (pp. v-xii). (Studies in Slavic Literature and Poetics; Vol. 60). Brill/Rodopi.
  17. Brouwer, S. (2016). Tsar Peter, Mazepa and Ukraine: A Love Triangle: Lurii Illienko’s A Prayer for hetman Mazepa. In S. Brouwer (Ed.), Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film: Screen as Battlefield (pp. 143-162). (Studies in Slavic Literature and Poetics; Vol. 60). Brill. https://doi.org/10.1163/9789004311749_010
  18. Kuiper, Y. (2016). Balans van tuinhistorisch onderzoek: Een uitleiding. In A. Van der Does, & J. Holwerda (Eds.), Tuingeschiedenis in Nederland II: Denken en doen in de Nederlandse tuinkunst 1500-2000 (Vol. II, pp. 223-233). CASCADE Stichting Tuinhistorisch Genootschap .
  19. Kuiper, Y. (2016). Death, Memory, and Liminality: Rethinking Lampedusa's Later Life as Author and Aristocrat. In P. Berger, & J. Kroesen (Eds.), Ultimate Ambiguities: Investigating Death and Liminality (pp. 253-269). Berghahn.
  20. Kuiper, Y. (2016). The rise of the country house in the Dutch Republic: Beyond Johan Huizinga's narrative of Dutch civilisation in the 17th century. In J. Stobart, & A. Hann (Eds.), The Country House: Material Culture and Consumption (pp. 11-23). Historic England.
  21. Linn, S. (2016). A Loud yet Hardly Audible Voice: Urban Youth Language in “Street Literature”. In A. Sepp, & P. Humblé (Eds.), Bearing Across: Translating Literary Narratives of Migration (pp. 145-158). [12] (Intercultural Knowledge). Wissenschaftlichter Verlag Trier.
  22. McGee, K. (2016). A World(ly) Jazz Autonomy: Hazel Scott and Hollywood's Musical-Racial Matrix. In P. Bohlman, & G. Plastino (Eds.), Jazz Worlds/World Jazz University of Chicago Press.
  23. Lijster, T. (2016). 'All Reification Is a Forgetting'. Benjamin, Adorno and the Dialectic of Reification. In S. Gandesha, & J. Hartle (Eds.), The Spell of Capital: Reification and Spectacle (pp. 55-66). Amsterdam University Press.
  24. Lehmann, A-S. (2016). Ars nova in een flesje. In M. Haveman, & A. Overbeek (Eds.), Het reizende detail in de kunst van 1400-1500 (pp. 188-193). Kunst en Schrijven.
  25. McGee, K. (2016). Assimilating and Domesticating Jazz in 1950s American Variety Television: Nat King Cole's Transformation from Guest Star to National Host. In B. Heile, P. Elsdon, & J. Doctor (Eds.), Watching Jazz: Encounters with Jazz Performance on Screen Oxford University Press.
  26. Lippert, F. (2016). Auto(r)fiktionen. Metaisierung als Wechsel narrativer und sozialer Frames am Beispiel von Felicitas Hoppes "Hoppe". In S. Frank, & J. I. (Eds.), Ehrliche Erfindungen. Felicitas Hoppe als Erzählerin zwischen Tradition und Transmoderne (pp. 343-358). (Lettre). Transcript.
  27. Valdivia, P. (2016). Beatus Ille, la emoción de la escritura. In Beatus Ille (Edición Conmemorativa ed., pp. 7-14). (Seix Barral Biblioteca Breve). Seix Barral.
  28. de Ruiter, P. (2016). Beeld en woord: Nederlandse critici over sculptuur. In D. Hardeman, & P. Elliott (Eds.), Van Rodin tot Bourgeois: Sculptuur in de 20ste eeuw (pp. 14-17). Gemeentemuseum Den Haag Hannibal.
  29. Gogolin, I., & Duarte, J. (2016). Bildungssprache. In J. Killian, B. Brouër, & D. Lüttenberg (Eds.), Handbuch Sprache in der Bildung (pp. 478-499). (Handbücher Sprachwissen (HSW)). De Gruyter. https://doi.org/10.1515/9783110296358
  30. Weijermars, J. (2016). De romantische auteur: Prudens van Duyse (1804-1859). In E. van Boven, & P. Verstraeten (Eds.), Schrijverstypen: De moderne auteur tussen individu en collectief (pp. 13-24). Uitgeverij Verloren.
  31. Hanich, J. (2016). Der weiße Büffel. In H. J. Wulff, & I. Lehmann (Eds.), Tierfilm (pp. 159-163). (Filmgenres). Reclam.
  32. de Gendt, A. (2016). Du masculin au féminin: Le changement de sexe des cinq sens au seuil de la Renaissance. In A. O. Duhl, & J-M. Fritz (Eds.), Les cinq sens entre Moyen Âge et Renaissance: enjeux épistémologiques et esthétiques (pp. 71-93). Editions Universitaires de Dijon.
  33. Keizer, J. (2016). Dürer, Drawing and Allegory. In The Aura of the Word in the Early Age of Print (1450 - 1600) Routledge.
  34. Keizer, J. (2016). Dürer, drawing, and allegory. In The Aura of the Word in the Early Age of Print (1450-1600) (pp. 130-150). Taylor and Francis Ltd. https://doi.org/10.4324/9781315087108
  35. Valdivia, P. (2016). El Diálogo de Mercurio y Carón de Alfonso de Valdés: análisis interdiscursivo y recepción dentro de la órbita del erasmismo español. In A. Soria Olmedo, J. Varo Zafra, & G. Torres Salilnas (Eds.), Prosa española del siglo XVI ( Estudios críticos de Literatura y de Lingüística). Editorial Biblioteca Nueva, S.L..
  36. Wijermars, M. (2016). Encircling an Unrepresentable Past: The Aesthetic of Trauma in Karen Shakhnazarov’s 'Dreams' (1993). In S. Brouwer (Ed.), Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film: Screen as Battlefield (pp. 63-82). (Studies in Slavic literature and poetics; Vol. 60). Brill/Rodopi.
  37. Alexander, V. (2016). Enclosed: Nature: Carol Shields' Textual Mazes. In D. Tunca, & J. Wilson (Eds.), Postcolonial Gateways and Walls: Under Construction (pp. 219-239). Brill/Rodopi.
  38. van Heusden, B., & Keikes, B. (2016). Expressionisme als culturele houding. In M. Jansen, & D. Sijens (Eds.), Een storm van kleur: Ploeg Jaarboek 15 (Vol. 15, pp. 6). Stichting De Ploeg Groninger Museum.
  39. Kolsteeg, J. (2016). Finding the Essence: Researching Cultural and Creative Cooperations. In F. Imperiale, & M. Vecco (Eds.), Cultural Management Education in Risk Societies: Towards a Paradigm and Policy Shift?! (pp. 209-221). Encatc. The european network on cultural management and policy..
  40. de Ruiter, P., & Oosterbaan, N. (2016). Frans Haks en de jonge Duitsers. In M. Jansen, & R. Schenk (Eds.), Nieuwe Wilden: Duits neo-expressionisme uit de jaren '80 (pp. 144-155). Uitgeverij Waanders & de Kunst.
  41. de Jong, J. (2016). Frustrations about Friezes: Themes, Functions and Accessibility. In A. Fenech Kroke, & A. Lemoine (Eds.), Frises peintes. Les décors des palais et villas au Ciquecento: Symposium acts ("Il fregio dipinto nelle decorazioni romane del Cinquecento", Académie de France à Rome – Villa Médicis, 16-17 december 2011) (pp. 27-41). (Collection d'histoire de l'art; Vol. 16). Somogy éditions d'art.
  42. van den Oever, A., & Beugnet, M. (2016). Gulliver Goes To The Cinema: Screen Size, Scale, and Experiential Impact. In D. Chateau, & J. Moure (Eds.), Screens: From Materiality to Spectatorship – A Historical and Theoretical Reassessment (Vol. 6, pp. 247-257). Amsterdam University Press.
  43. Lehmann, A-S. (2016). Hair. In A. Reineke, M. Kapustka, A. Röhl, & T. Weddigen (Eds.), Textile Terms: A Glossary (Textile Studies ed., pp. 139-142). edition imorde.
  44. Wagenaar, C. (2016). Helsinki: a Hospital Revolution in the Making? In J. Kauste, & H. Kjisik (Eds.), Cur & Care. Healing spaces then and now (pp. 16-23).
  45. Lehmann, A-S. (2016). Het andere haar. In M. Haveman, & A. Overbeek (Eds.), Het Reizende Detail: in de kunst van 1400 tot 1500 (Vol. 2, pp. 220-230). Kunst en Schrijven.
  46. Gilroy, A., & Messmer, M. (2016). Introduction. In A. Gilroy, & M. Messmer (Eds.), America: Justice, Conflict, War (pp. 1-10). (European Views of the United States; Vol. 8). Universitätsverlag C. Winter.
  47. Gooskens, C., Hilton, N., & Schüppert, A. (2016). Is Swedish more beautiful than Danish? - A matched-guise investigation. In Nooit het Noorden kwijt: Liber amicorum ter ere van Godelieve Laureys (pp. 165-188). Universiteit van Gent.
  48. Valdivia, P. (Accepted/In press). La ficción literaria en Sefarad de Antonio Muñoz Molina: hacia una arqueología del texto literario. In T. Albaldejo, & F. Chico Rico (Eds.), Análisis Interdiscursivo
  49. Godioli, A. (2016). La raccolta di novelle come celebrazione della diversità: Palazzeschi, Il palio dei buffi. In M. Santi, & T. Toracca (Eds.), Il racconto modernista in Italia: teoria e prassi (Sinestesie ed., pp. 53-64). (Biblioteca di sinestesie; Vol. 39)..
  50. Gogolin, I., Tracy, R., Duarte, J., & Hansen, A. (2016). Mehrsprachigkeit als Ressource. In Bildungsforschung 2020: Zwischen wissenschaftlicher Exzellenz und gesellschaftlicher Verantwortung (pp. 286-295). Bundesministerium für Bildung und Forschung.
  51. van Es, E. (2016). Muziekonderwijs in de lift. In Zo werkt instrumentaal muziekonderwijs op school: Het handboek voor startende Leerorkest-scholen (pp. 71-77). Expertisecentrum Leerorkest.
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