Research Centre Arts in Society

University of Groningen > Faculty of Arts > Groningen Research Institute f.t Study of Culture > Research Centre Arts in Society

  1. 2017
  2. van den Beuken, R. (2017). Remembering the Drapier and King Dan: The sectarian legacies of swift and O'connell in Edward Longford's Yahoo (1933) and Ascendancy (1935). In M. Corporaal, C. Cusack, & R. van den Beuken (Eds.), Irish Studies and the Dynamics of Memory: Transitions and Transformations (pp. 19-39). P.I.E. - Peter Lang.
  3. Sanders, M. (2017). Albert Verwey - Europa in brieven. In T. van Kalmthout, & M. van Faassen (Eds.), Vonken van inspiratie: Correspondenten rond 1900 en de uitgave van hun brieven (pp. 69-77). Huygens Instituut voor Nederlandse Geschiedenis KNAW.
  4. Wagenaar, C., & Martin, A. (2017). Building a new Community: A Comparison between the Netherlands and Czechoslovakia. In Á. Moravánszky, & J. Hopfengärtner (Eds.), Re-Humanizing Architecture. New forms of community, 1950-1970 (pp. 145-172). Birkhauser.
  5. Sanders, M. (2017). De Rechter Tie mysteries van Robert van Gulik (1964). In Echte leesboeken: Publieksliteratuur in de twintigste eeuw (pp. 199-220). Uitgeverij Verloren.
  6. Brouwer, S. (2017). De Schim van Barkov: Inleiding, vertaling en commentaar Sander Brouwer. In K. Schuurman (Ed.), Verboden Vruchten: Erotische verhalen en gedichten uit de wereldliteratuur (pp. 107-118). Prometheus.
  7. Loerts, H., & de Bot, C. (2017). Die Untersuchung des mehrsprachigen Gehirns. In J-M. Roche, & F. Suñer (Eds.), Sprachenlernen und Kognition: Grundlagen einer kognitiven Sprachendidaktik (Kompendium DaF/DaZ 1) (pp. 39-52). Narr Francke Attempto.
  8. Sanders, M. (2017). Dienst en wederdienst: Elsschot als vertaler. In K. Rymenants, & C. de Strycker (Eds.), Willem Elsschot, dichter: Alle verzen verzameld en toegelicht (pp. 187-197). POLIS.
  9. Hanich, J. (2017). Eine Reise ans Ende der Nacht: Moderne und Modernisierunsängste in Friedrich Wilhelm Murnaus "Sunrise". In H-P. Preusser (Ed.), Späte Stummfilme: Ästhetische Innovation im Kino 1924-1930 (pp. 267-300). (Schriftenreihe zur Textualität des Films; Vol. 9). Schüren.
  10. Hanich, J. (2017). Experiencing Extended Point-of-View Shots: A Film-Phenomenological Perspective on Extreme Character Subjectivity. In M. S. Reinerth, & J-N. Thon (Eds.), Subjectivity Across Media: Interdisciplinary and Transmedial Perspectives (pp. 127-144). Routledge.
  11. Schiller, M. (2017). From Soundtrack of the Reunification to the Celebration of Germanness: Paul van Dyk and Peter Heppner’s “Wir sind Wir” as National Trance Anthem. In M. Ahlers, & C. Jacke (Eds.), Perspectives on German Popular Music (pp. 217-222). (Ashgate popular and folk music series). Routledge.
  12. Spek, T. (2017). Grafheuvels in Drenthe: Lijnen in het landschap, lijnen in de tijd. In Heidense Hoogten Van Spijk-Rekafa Publishers.
  13. Houtzagers, H. (2017). Intonationsoppositionen im Kroatischen des südlichen Burgenlandes. In R. Genis, E. de Haard, & R. Lučić (Eds.), Definitely Perfect: Festschrift for Janneke Kalsbeek (pp. 301-309). (Pegasus Oost-Europese Studies; Vol. 29). Uitgeverij Pegasus.
  14. Valdivia, P. (2017). La novela española contemporánea ante la crisis financiera de 2008: mercado editorial y renovación. In C. Del Valle Rojas, & V. Silva Echeto (Eds.), Crisis, comunicación y crítica política (pp. 43-65). (Centro Internacional de Estudios Superiores de Comunicación para América Latina). CIESPAL-UNESCO.
  15. Garcia Jimenez, P. (2017). Madrid y "Las Meninas". In O. M. Rubio (Ed.), Basilio Martín Patino: Madrid, rompeolas de todas las Españas (pp. 61-78). La Fábrica.
  16. Lehmann, A-S. (2017). Material Literacy. In C. Perren (Ed.), Substance (pp. 20-27). (Bauhaus; Vol. 9). Spector Books.
  17. Wagenaar, C. (2017). Moderation. In C. Nickl-Weller, S. Matthys, & T. Eichenauer (Eds.), Healthcare der Zukunft 5 (pp. 35-36). Medizinisch Wissenschaftliche Verlagsgesellschaft.
  18. den Toonder, J. (2017). Narrative Dynamics of Liminality in Naomi Fontaine’s Kuessipan (2011). In S. L. Brandt (Ed.), In-Between - Liminal Spaces in Canadian Literature and Cultures (pp. 133-146). (Canadiana; Vol. 20). Peter Lang.
  19. Schiller, M. (Accepted/In press). "Nyckelharpa". In Music Around the World: A Global Encyclopedia ABC-CLIO.
  20. Bij, van der, L., Gilbers, D., & Kehrein, W. (2017). Perception of word stress. In M. Wieling, M. Kroon, G. Noord, van, & G. Bouma (Eds.), From Semantics to Dialectometry: Festschrift in honor of John Nerbonne (pp. 33-44). [4] (Tributes; Vol. 32). College Publications.
  21. Keltjens, R. (2017). R. Houwink Hzn., pluimveekenner en volksverteller. In J. Dera, & A. Rutten (Eds.), Marginalia. Voor Mathijs Sanders (pp. 22-29). Pro-Book.
  22. Hanich, J. (2017). Reflecting on Reflections: Cinema's Complex Mirror Shots. In M. Beugnet, A. Cameron, & A. Fetveit (Eds.), Indefinite Visions : Cinema and the Attractions of Uncertainty (Edinburgh Studies in Film and Intermediality). Edinburgh University Press.
  23. Schiller, M. (Accepted/In press). "Schlager". In Music Around the World: A Global Encyclopedia ABC-CLIO.
  24. Fuller, J., & Torres, J. R. (2017). Spanish in the US. In C. A. Seals, & S. Shah (Eds.), Heritage Language Policies around the World (Routledge Studies in Sociolinguistics). Routledge.
  25. van Gessel, J. (2017). Speaking for Whom? Using Opera Reviews from Strasbourg (1887–1918) to Clarify the Problematical Source Character of Music Criticism. In T. Cascudo García-Villaraco (Ed.), Nineteenth-Century Music Criticism (pp. 77–100). (Music, Criticism & Politics; Vol. 3). Brepols Publishers.
  26. Gogolin, I., & Duarte, J. (2017). Superdiversity, Multilingualism and Awareness. In J. Cenoz, D. Gorter, & S. May (Eds.), Language Awareness and Multilingualism: Encyclopedia of Language and Education (3rd ed., Vol. 10, pp. 375-390). Springer. https://doi.org/10.1007/978-3-319-02240-6_24
  27. Gielen, P., & Lijster, T. (2017). The Civil Potency of a Singular Experience: On the Role of Cultural Organizations in Transnational Civil Undertakings. In P. Dietachmair, & P. Gielen (Eds.), The Art of Civil Action: Political Space and Cultural Dissent (pp. 39-66). Valiz.
  28. Spek, T. (2017). The future of the past: Towards a better integration of cultural heritage in landscape stewardship. In C. Bieling, & T. Plieninger (Eds.), The Science and Practice of Landscape Stewardship (pp. 148-163). Cambridge University Press. https://doi.org/10.1017/9781316499016.015
  29. van Noortwijk, A., & Ros, V. (2017). The Living Landscape of Jakarta in Leonard Retel Helmrich's Doucmentary Triptich. In D. Forrest, G. Harper, & J. Rayner (Eds.), Filmurbia: Screenig the Suburbs (pp. 113-129). Palgrave MacMillan.
  30. van Gessel, J. (2017). Théatre lyrique de Strasbourg. In R. Recht, & J-C. Richez (Eds.), 1880-1930 Dictionnaire culturel de Strasbourg (pp. 529-531). Presses universitaires de Strasbourg.
  31. Kehrein, W. (2017). There’s no tone in Cologne: against tone-segment interactions in Franconian. In W. Kehrein, B. Köhnlein, P. Boersma, & M. van Oostendorp (Eds.), Segmental Structure and Tone (pp. 147-194). (Linguistische Arbeiten; Vol. 552). De Gruyter.
  32. van den Oever, A. (2017). Touching Experiments: Rediscovering the Sensorial and Tactile Dimensions of Film's History. In M. Merlo (Ed.), Mimesis: Studies in Honor of Leonardo Quaresima (pp. 515-519). Mimesis Edizione.
  33. Sanders, M. (2017). Tussen Galliërs en Teutonen: Jan van Nijlen in ballingschap. In M. Koffeman, A. C. Montoya, & M. Smeets (Eds.), Literaire bruggenbouwers tussen Nederland en Frankrijk: Receptie, vertaling en cultuuroverdracht sinds de Middeleeuwen (pp. 295-316). [hoofdstuk 14] Amsterdam University Press.
  34. Schiller, M. (2017). Who said we were over it? On Nationalist Nostalgia and a Specter Haunting Europe: Popular Music and the Melancholic Presence of the Past. In J. Merrill (Ed.), Popular Music Studies Today: Proceedings of the International Association for the Study of Popular Music 2017 (pp. 261-270). (Systematische Musikwissenschaft). Springer. https://doi.org/10.1007/978-3-658-17740-9_27
  35. Schüppert, A., Heeringa, W., Golubovic, J., & Gooskens, C. (2017). Write as you speak? A cross-linguistic investigation of orthographic transparency in 16 Germanic, Romance and Slavic languages. In From semantics to dialectometry: Festschrift in honor of John Nerbonne (Vol. 32, pp. 303-313). College Publications.
  36. Bülow, L., de Bot, K., & Hilton, N. H. (2017). Zum Nutzen de Complex Dynamic Systems Theory (CDST) für die Erforschung von Sprachvariation und Sprachwandel. In H. Christen, P. Gilles, & C. Purschke (Eds.), Räume, Grenzen, Übergänge: Akten des 5. Kongresses der Internationalen Gesellschaft für Dialektologie des Deutschen (IGDD) (pp. 45-69). (Zeitschrift für Dialektologie und Linguistiek; Vol. 171). Franz Steiner Verlag.
  37. 2016
  38. Jongeneel, E. (2016). À l'école de la peinture avec Michel Butor. In A. Biglari, & H. Desoubeaux (Eds.), Dix-huit lustres: Hommages à Michel Butor (pp. 109-127). Classiques Garnier.
  39. den Toonder, J. (2016). Lieux de transculturalité et zones de contact chez Jean Babineau, Hédi Bouraoui et J.R. Léveillé. In L. Hotte, & F. Paré (Eds.), Les littératures franco-canadiennes à l'épreuve du temps (Vol. XVI, pp. 169-184). [7] (Archives des Lettres canadiennes; Vol. XVI). Les Presses de l´Université d´Ottawa.
  40. den Toonder, J. (2016). New Ways for the Future: Hemispheric Encounters. In J. den Toonder, K. van Dam, & F. van der Stok (Eds.), Native America : Indigenous Self-Representation in Canada, the U.S. and Mexico (Vol. 9, pp. 9-27). [Introduction] (Interamericana). P.I.E. - Peter Lang.
  41. den Toonder, J. (2016). Migrant Writing in Quebec: Female Mobility in Kim Thúy’s Ru. In K. Averis, & I. Hollis-Touré (Eds.), Exiles, Travellers and Vagabonds: Rethinking Mobility in Francophone Women's Writing (pp. 33-53). [2] (French and Francophone Studies). University of Wales.
  42. Spiekhout, A. (2016). Kasteel Coevorden in de Volle en Late Middeleeuwen. In Het enige kasteel van Drenthe: 1 oktober 2016-2 april 2017 stedelijk museum Coevorden (pp. 1-7). [1] Stedelijk Museum Coevorden.
  43. van Voorst, S. (2016). De ballingschrijver Kader Abdolah. In E. van Boven, & P. Verstraeten (Eds.), Schrijverstypen: De moderne auteur tussen individu en collectief (pp. 203-216). Uitgeverij Verloren.
  44. van Heusden, B. (2016). Speelgenoten: Julio Cortázar en Carol Dunlop, de astronauten van de kosmosnelweg. In E. van Boven, & P. Verstraete (Eds.), Schrijverstypen: De moderne auteur tussen individu en collectief (pp. 193-201). [16] Uitgeverij Verloren.
  45. Spek, T. (2016). Betrokken land: reflecties over de toekomst van het landschap in het aardbevingsgebied van Groningen. In F. Smit (Ed.), Dromen over Groningen 2050 : vriendenboek Max van den Berg University of Groningen.
  46. Mierau, K. (2016). "Más vale saber que haber" Información urbana y la visión de Mateo Alemán del poder del pobre en el espacio urbano. In L. Torres, & H. Rabaey (Eds.), Pauvre et pauvreté en Europe à l'époque moderne (xvie - xviie siècle). Classiques Garnier.
  47. Baadj, N. (2016). Collaborative Craftsmanship and Chimeric Creation in Seventeenth-Century Antwerp Art Cabinets. In S. Burghartz, L. Burkart, & C. Göttler (Eds.), Sites of Mediation: Connected Histories of Places, Processes, and Objects in Europe and Beyond, 1450–1650 (pp. 270-296). (Intersections; Vol. 47). Brill.
  48. Hanich, J. (2016). Komplexe Tiefeninszenierungen: Über die verborgenen Dimensionen im Filmstil Roy Anderssons. In J. Bluck, D. Kammerer, T. Kaiser, & C. Wahl (Eds.), Filmstil : Perspektivierungen eines Begriffs (pp. 299-338). Edition text + kritik.
  49. Flood, J. (2016). Controversy in the Long Eighteenth Century. In A. Prendergast, K. MacKeogh, & E. Semple (Eds.), Literature 3: Literatures of the Seventeenth and Eighteenth Centuries Dublin City University.
  50. Flood, J. (2016). Modernism and the Fascination of What's Difficult. In N. O'Mahony, K. MacKeogh, G. Fagan, & F. West (Eds.), Literature 2: Literatures of the Twentieth Century Dublin City University.
  51. Flood, J. (2016). Negotiating World Literature in English. In D. Greene, K. MacKeogh, & F. West (Eds.), Literature 6: Literatures of the Late Twentieth Century Dublin City University.
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