Research Centre Arts in Society

University of Groningen > Faculty of Arts > Groningen Research Institute f.t Study of Culture > Research Centre Arts in Society

  1. 2019
  2. Houtzagers, P. (2019). On the Čakavian dialect of Čunovo near Bratislava. In E. Fortuin, P. Houtzagers, & J. Kalsbeek (Eds.), Dutch Contributions to the Sixteenth International Congress of Slavists - Linguistics: Belgrade, August 20-27, 2018 (pp. 157-177). (Studies in Slavic and General Linguistics; Vol. 44). Brill. https://doi.org/10.1163/9789004417137_006
  3. Strandvad, S. (2019). Kunst og kulturproduktion. In A. Blok, & C. Bagge Laustsen (Eds.), Sociologiens problemer: En grundbog (pp. 723-742). Hans Reitzel.
  4. Nicolay, J., Langen, de, G., Stöver, J., Aalbersberg, G., Bahlen, G., Bakker, M., Huisman, H., Mantel, S., Nieuwhof, A., Ngan-Tillard, D., Prummel, W., de Rijk, P., Schepers, M., Varwijk, T., & Vos, P. C. (2019). De terp van Hogebeintum in boorkernen. In A. Nieuwhof, E. Knol, & J. Nicolay (Eds.), De hoogste terp van Friesland: Nieuw en oud onderzoek in Hogebeintum (Vol. 101, pp. 33-130). (Jaarverslagen van de Vereniging voor Terpenonderzoek; Vol. 101). Vereniging voor Terpenonderzoek.
  5. Robbe, K. (2019). An Unfinished Homecoming: Postmemory, Place, and Practices of Politicization in the Plays of Nadia Davids and Amy Jephta. In M. Maufort, & J. Maufort (Eds.), Forays into Contemporary South African Theatre (pp. 271-290). Brill. https://doi.org/10.1163/9789004414464_016
  6. Broomans, P. (Accepted/In press). The Meta-literary History of Cultural Transmitters and Forgotten Scholars in the midst of Transnational Literary History. In S. B. Jørgensen, H-J. Lüsebrink, & U. Heidmann (Eds.), Cultural Transfer Reconsidered Brill/Rodopi.
  7. Fuller, J. (2019). Linguistic Landscapes and the Making of an Imagined Community. In T. Heyd, F. Mengden, & B. Schneider (Eds.), The Sociolinguistic Economy of Berlin: Cosmopolitan Perspectives on Language, Diversity and Social Space (pp. 279-299). De Gruyter Mouton.
  8. Gooskens, C. (2019). Receptive multilingualism. In S. montanari, & S. Quay (Eds.), Multidisciplinary Perspectives on Multilingualism: The fundamentals (pp. 149-174). (Language Contact and Bilingualism). De Gruyter Mouton. https://doi.org/10.1515/9781501507984-008
  9. Keizer, J. (2019). Rembrandt's Nature: The Ethics of Teaching Style in the Dutch Republic. In E. Jorink, A-S. Lehmann, & B. Ramakers (Eds.), Lessons in Art. Art, Education, and Modes of Instruction since 1500 (Netherlands Yearbook for History of Art; Vol. 68). Brill.
  10. Nikolsky, R. (2019). אהב (to love) in the Bible: a Cognitive Evolutionary Approach. In R. Nikolsky, I. Czachesz, F. S. Tappenden, & T. Biró (Eds.), Language, Cognition, and Biblical Exegesis: Interpreting Minds (1st ed., pp. 70-87). (Language, Cognition, and Biblical Exegesis). Bloomsbury Academic. https://doi.org/10.5040/9781350078130.ch-005
  11. Delbeke, M., & Nagelsmit, E. (2019). The Low Countries, 1400-1830. In M. Fraser (Ed.), Sir Banister Fletcher’s Global History of Architecture (21 ed., pp. 211-232). Bloomsbury. https://doi.org/10.5040/9781474207775.0062
  12. Jongeneel, E. (2019). Les illustrations des Contes du temps passé de Perrault (édition Curmer, 1843). In J. Augustyn, J-P. Dubost, & S. J. Sasson (Eds.), Penser et (d')écrire l'illustration.: Le rapport à l'image dans la littérature des XVIIIe et XIXe siècles (Vol. 24, pp. 173-196). (Révolutions et Romantismes). PUBP.
  13. Broomans, P., & Klok, J. (2019). Thinking about Travelling Ideas on the Waves of Cultural Transfer. In Travelling Ideas in the Long Nineteenth Century. : On the Waves of Cultural Transfer (Vol. 8, pp. 9-28). (Studies on Cultural Transfer & Transmission Series; Vol. 8). Barkhuis Publishing.
  14. Hanich, J. (2019). “Every Theory Needs a Reference to Lived Experience”: An Interview with Jean-Pierre Meunier. In The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (pp. 14-30). Amsterdam University Press. https://doi.org/10.2307/j.ctvpbnq82.4
  15. Hanich, J., & Fairfax, D. (2019). Introduction (to The Structures of the Film Experience by Jean-Pierre Meunier). In J. Hanich, & D. Fairfax (Eds.), The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (pp. 9-13). (Film Theory in Media History). Amsterdam University Press. https://doi.org/10.2307/j.ctvpbnq82.3
  16. Hanich, J. (2019). When Viewers Drift Off: A Brief Phenomenology of Cinematic Daydreaming . In J. Hanich, & D. Fairfax (Eds.), The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (pp. 336-352). Amsterdam University Press. https://doi.org/10.2307/j.ctvpbnq82.21
  17. Blanco Sío-López, C. (2019). The Future that Once Was: 1989, the EU’s Eastward Enlargement, and Democracy’s Missed Chances. In E. Braat, & P. Corduwener (Eds.), 1989 and the West: Western Europe since the End of the Cold War, 1st Edition (1 ed.). (Routledge Studies in Modern European History). Routledge, Taylor and Francis group.
  18. Fuller, J. (2019). Anthropology. In J. Darquennes, J. Salmons, & W. Vandenbussche (Eds.), Language Contact (Vol. 1, pp. 679-691). (Handbücher zur Sprach-und Kommunikationswissenschaft ). De Gruyter Mouton.
  19. van den Oever, A. (2019). Reading Viktor Shklovsky's "Art as Technique" in the Context of Early Cinema. In S. N. Gratchev, & H. Mancing (Eds.), Viktor Shklovsky’s Heritage in Literature, Arts, and Philosophy Rowman and Littlefield.
  20. De Gendt, A-M. (Ed.) (2019). Inleiding. In T. Janssen (Ed.), Josse Bade / Jodocus Badius Ascensius [1462-1535]: Dwaze schepen / Stultiferae naues (pp. IX-XXV). Stichting Neerlandistiek VU, Amsterdam & Nodus Publikationen Münster.
  21. Broomans, P. (2019). Op een gegeven moment. In E. van der Knaap, & C. Koster (Eds.), Teksten in beweging: Over vertaling, vertalers en literatuur (pp. 187-190). [36] Uitgeverij Vantilt.
  22. Enenkel, K., & de Jong, J. L. (2019). Loysius’s Pervigilium Mercurii and Other Early Latin Artes Apodemicae: The Constitution of a Genre through Intertextuality. In K. A. E. Enenkel, & J. L. de Jong (Eds.), Artes Apodemicae and Early Modern Travel Culture, 1550-1700: Intersections. Interdisciplinary Studies in Early Modern Culture (Vol. 64, pp. 28-74). (Intersections. Interdisciplinary Studies in Early Modern Culture ; Vol. 64). Brill. https://doi.org/10.1163/9789004401068_002
  23. de Jong, J. L. (2019). Reading instead of Travelling: Nathan Chytraeus’s Variorum in Europa itinerum deliciae. In J. L. de Jong, & K. A. E. Enenkel (Eds.), Artes Apodemicae and Early Modern Travel Culture, 1550-1700 (pp. 237–261). (Intersections. Interdisciplinary Studies in Early Modern Culture; Vol. 64). Brill. https://doi.org/10.1163/9789004401068_012
  24. van Voorst, S. (2019). Van 'echt gebeurd' tot 'venster op de wereld': 25 jaar Nederlandse literatuur in Spraakmakende Boeken. In C. S. B. (Ed.), 25 jaar Spraakmakende Boeken 1994-2019 (pp. 8-14). Rijksuniversiteit Groningen.
  25. Flood, J. (2019). Nostromo. In G. Van der Meer (Ed.), Sulver en Minsken Uitgeverij Elikser B.V..
  26. Mierau, K. (2019). Faire l'inventoire des rues, quartiers et types: Conceptions sérielles de la ville dans le représentations de Madrid à la fin du seizième siècle. In A. De Gendt, & A. Montoya (Eds.), La Pensée sérielle: du Moyen Age aux Lumières (pp. 218-236). (C.R.I.N.: Cahiers de recherche des instituts néerlandais de langue et de littérature française; Vol. 65). Brill.
  27. Godioli, A. (2019). Mensonges romantiques et vérités romanesques: Gadda lecteur de Stendhal. In H. de Jacquelot, B. Didier, & M-R. Corredoret (Eds.), Lectures et Lecteurs de Stendhal (pp. 263-280). Honoré Champion.
  28. Hanich, J. (2019). Oh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant. In N. Baer, L. Horak, M. Haennefeld, & G. Iversen (Eds.), Unwatchable Rutgers University Press.
  29. van den Oever, A., & Fickers, A. (2019). Doing Experimental Media Archaeology: Epistemological and Methodological Reflections on Experiments with Historical Objects of Media Technologies. In B. Roberts , & M. Goodall (Eds.), New Media Archaeologies (pp. 45-68). (Recursions: Theories of Media, Materiality, and Cultural Techniques). Amsterdam University Press.
  30. Kirchmeier, C. (2019). „… All Questions Remain Open“: On the Epilogue of "The Good Person of Szechwan" and Bertolt Brecht’s Poetics of Interruption. In M. Wessendorf (Ed.), Das Brecht-Jahrbuch: The Brecht Yearbook (Vol. 44, pp. 84-100). (The Brecht Yearbook). Camden House.
  31. Nagelsmit, E. (2019). Between Pomp and Penitence: Staging Religious Feasts in Counter-Reformation Brussels. In A. Delfosse, R. Dekoninck, C. Heering, M. Delbeke, & K. Vermeir (Eds.), Cultures du spectacle baroque: Cadres, expériences et représentations des solennités religieuses entre Italie et anciens Pays-Bas (pp. 183-196). Istituto storico belga di Roma.
  32. Gendt, A-M. D. (2019). Dame Vice ou Dame Sens? Correspondances sérielles au seuil de la Renaissance. In A. De Gendt, & A. Montoya (Eds.), La pensée sérielle, du Moyen Age aux Lumières (pp. 279-301). (C.R.I.N.: Cahiers de recherche des instituts néerlandais de langue et de littérature française; Vol. 65). Brill. https://doi.org/10.1163/9789004386006_014
  33. van den Oever, A., & Fickers, A. (2019). (De)Habituation Histories: How to Re-Sensitize Media Historians. . In J. Ellis, & N. Hall (Eds.), Hands-On Media History: A New Methodology in the Humanities and Social Sciences Routledge.
  34. Fuller, J. (2019). Discourses of immigration and integration in German newspaper comments. In L. Viola, & A. Musolff (Eds.), Migration and Media: Discourses about identities in crisis (pp. 317-338). John Benjamins Publishers. https://doi.org/10.1075/dapsac.81.14ful
  35. Fuller, J. (2019). English in the German-speaking World: Immigration and Integration. In R. Hickey (Ed.), English in the German Speaking World (pp. 165-184). Cambridge University Press. https://doi.org/10.1017/9781108768924.009
  36. van Voorst, S. (2019). 'Geert van Oorschot heeft zijn Russen over de eindstreep': De ontvangst van de Russische Bibliotheek in de Nederlandse literatuurkritiek. In Festschrift for Sander Brouwer: Pegasus Oost-Europese Studies (Vol. 33, pp. 207-226). (Pegasus Oost-Europese Studies; Vol. 33). Uitgeverij Pegasus.
  37. Günther -van der Meij, M., Duarte, J., & Jellema, K. (2019). Holistyske oanpak fan meartalich basis- en fuortsetûnderwiis. In Rispje en Siedzje: Wat bereikt is in de Lectoraten Frysk & Meartaligens en Taalgebruik & Leren in de jaren 2010–2018 (pp. 35-43). NHL Stenden Hogeschool.
  38. Gendt, A-M. D., & Montoya, A. C. (2019). Introduction. In A. De Gendt, & A. Montoya (Eds.), La pensée sérielle, du Moyen Age aux Lumières (pp. 1-14). (C.R.I.N.: Cahiers de recherche des instituts néerlandais de langue et de littérature française,; Vol. 65). Brill. https://doi.org/10.1163/9789004386006_002
  39. de Jong, J., Leigh, J., Megens, I., Neuman, M., Neuman-Stanivukovic, S., & van der Waal, M. (2019). Introduction. In J. de Jong, M. Neuman, & M. van der Waal (Eds.), Where is Europe?: Respacing, Replacing, and Reordering Europe Euroculture consortium.
  40. Kirchmeier, C., & Trüstedt, K. (2019). Introduction: Pure Joke. In M. Wessendorf (Ed.), The Brecht Yearbook / Das Brecht-Jahrbuch 44 (Vol. 44, pp. 81-83). (The Brecht Yearbook). Camden House.
  41. van Heusden, B. (2019). Inzicht alleen is niet voldoende: Voorbij de roman in de Engelstalige literatuur. In C. S. B. (Ed.), 25 jaar Spraakmakende Boeken 1994-2019 (pp. 52-59). Rijksuniversiteit Groningen.
  42. Keizer, J. (2019). Leonardo’s Prophecy: Towards a Visual Culture of Dreaming in the Renaissance. In F. Borgo, R. Maffeis, & A. Nova (Eds.), Leonardo e gli altri / Leonardo in Dialogue (pp. 229-248). Marsilio Editori s.p.a..
  43. van Heusden, B. (2019). Notes on the work of Vasili Grossman. In O. Boele, & B. Noordenbos (Eds.), Having served excellently, nobly: Festschrift for Sander Brouwer (pp. 91-100). (Pegasus Oost-Europese Studies; No. 33). Uitgeverij Pegasus.
  44. Sanders, M. (2019). S. Vestdijk. In H. P. van Coller (Ed.), Verbintenis en venster: Die Nederlandstalige letterkunde van aanvang tot hede 2 (pp. 581-592). Van Schaik Uitgewers.
  45. Schiller, M. (2019). Staging the nation: Claire Waldoff and Berlin cabaret before and during the Great War. In J. Mullen (Ed.), Popular Song in the First World War : An International Perspective (Ashgate Popular and Folk Music Series). Routledge.
  46. Lehmann, A-S., & Bennema, F. (2019). Teaching by Heart. Care, Education, and Art. In J. Brouwer, & S. van Tuinen (Eds.), To Mind is to Care (pp. 190-211). V2_Publishing.
  47. de Jonge, B. (2019). The relevance of relevance in linguistic analysis: Spanish simple past tenses. In N. Stern, R. Otheguy, W. Reid, & J. Sackler (Eds.), Columbia School Linguistics in the 21st Century (pp. 105-122). (Studies in Functional and Structural Linguistics; Vol. 77). John Benjamins Publishers. https://doi.org/10.1075/sfsl.77.04jon
  48. Deckers, M. (2019). The Weaver's Laboratory. Gunta Stölzl's Sample Cards as Materialized Research. In B. Dogramaci (Ed.), Textile Moderne/Textile Modernism (pp. 169-178). Böhlau Verlag.
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