Curating Art and Nature
Unfortunately, as we currently do not know how the coronavirus will progress globally in the coming months, we have made the difficult decision to cancel the University of Groningen Summer Schools 2020. We apologize for any inconvenience this exceptional situation may cause. Hopefully we will see you next year instead. Stay safe and healthy!
In recent years, the multifaceted role of the curator in museums, exhibition spaces and cultural heritage sites have expanded significantly. They have widened their practice into public spaces, where they engage with diverse contexts. Curators are expected to produce innovative scholarship, whilst collaborating with artists and communicating their ideas to the general public.
The particular focus of the summer school will be on the increasing interest in interdisciplinary projects that blur the boundaries between art and nature. How can artistic interventions in the landscape forge meaningful relationships? Can contemporary art serve as an ‘enhancement’ of ecological awareness and local identities? What are the characteristics and challenges of ‘landscape-based’ curating?
Intended for young art historians aiming for a career in academia, museums and cultural institutions, as well as junior professionals in those fields, this course is devoted to the knowledge, expertise, and skills required to meet the challenge of curating art and nature.
The Department of Art History at the University of Groningen offers a unique and innovative summer school program that puts students in direct contact with internationally renowned scholars, artists, and curators. The summer school will take place in a spacious house outside of Groningen, close to the Wadden Sea and Lauwersmeer National Park, where outdoor research, direct artistic engagement with the landscapes, and moving about on foot and by e-bike will enhance our thinking about the relation between art and nature.
A key feature of our summer school – in addition to lectures, presentations, and discussion – is the creation of an experimental exhibition, based on the Groninger landscape in collaboration with contemporary artists. The programme will include a visit to the exhibition Into Nature in Emmen, Robert Smithson's artwork Broken Circle/Spiral Hill and other excursions. This will enable participants to meet/work with curators and industry professionals (among others, Hans den Hartog Jager and Alice Smits) and artists (including Semâ Bekirović, Linde Ex and De Onkruidenier).
|Last modified:||31 March 2020 10.37 a.m.|